During every step of planning and decision making, they used their creativity and visualization to select the best outcomes. When they came together for a whole-class discussion, Kristie was able to assess the students’ background knowledge, vocabulary, and areas of interest, which helped her connect the key concepts of the lesson with students’ levels of understanding. Too often, we make connections for the students instead of letting them enjoy the challenge of creating meaning for themselves. I never saw myself as a writer, but in my early forties, I learned how to write and discovered the joy of writing. Now, I’d like to empower you to find your voice, share your ideas and inspire your audience. I strongly agree with your idea of those practices.


One teacher commented, “I don’t have to repeat directions as often. When I give the students an assignment, it’s like they actually hear what I say and watch me more closely when I explain things.” I just returned from a spiritual retreat where one of the eight points was “slowing down”. Your article Apache Avro Java 1 7 6 API speaks to this aspect so perfectly – noticing and living in the present moment, engaging our senses to realize the true nature of things . Useful handout for students to put into their notebooks to prompt them for table talks or writing prompts to frame either a noticing or a wondering.

The paper adds to the growing field of multimodal conversation analytic work on space, mobility and objects in interaction as resources for participants’ ongoing sense-making practices. Betty K. Garner is a professional learner who continues researching metability as a process of learning, creating, and changing. She received her Bachelor of Arts degree from Barat College in Lake Forest, Illinois; her Masters in Educational Processes from Maryville University in St. Louis, Missouri; and her Doctorate in Learning and Instruction from the University of Missouri-St.

Finally, this paper discusses implications for research on E/CfL settings and deferred correction practices, and then explores some ways that inscribed objects can facilitate L2 learning and teaching practices. Leila Kääntä currently works as a postdoctoral researcher in the Department of Languages in the University of Jyväskylä, Finland. Her research centers on classroom interaction and its embodied and material organization. She also examines how learning can be traced by describing the organization of different kinds of classroom activities and students’ participation in them as they accomplish the activities, with specific focus on the construction of knowledge and skills.

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Your words always surprise and startle me into a new way of thinking about writing. Poet and teacher Marie Howe suggests paying attention is hard because we find it uncomfortable to be fully present with what’s right in front of us. It doesn’t matter whether we write a memoir or a poem, a blog post or a sales page, all good writing is precise and vivid. The 3 practices outlined Loop through an array in JavaScript below not only help you write more vividly, they may also help you nourish your soul, find a moment of calmness, and reconnect with yourself. After a few minutes, she asked the groups to share with the whole class. When they reported organizing the verbs into categories with similar endings based on person, number, gender, and tense, Sylvia was as excited as they were.


The findings indicate that participants use active demonstrations of listenership through turn completion to display and defend their epistemic access to the emerging topics in their interactions. The findings are discussed in light of the current understanding of the construct of IC in L1 and L2 interactions. Participants in interaction are faced with the practical issues of delineating one situated practice from another, transitioning into and out of bounded activities and across successive juncture points within an activity. These may TypeScript Dictionary Working of dictionary or map in TypeScript need to be furnished with some form of individual demarcation in order to avoid disorientation between co-interactants with regard to the particular frame in which they are currently engaged. We explore here how co-participants utilize aggregates of interactional components to construct such sequentially relevant action. Particularly, we focus here on how objects in the material surround are used in conjunction with talk, gaze and postural orientation to construct local social order in study guidance counselling meetings at a university.

The art of noticing

Thanks Henneke for a reminder to slow down and focus on the now. Ironically, I read your post while forced to sit for 15 minutes after receiving my second vaccine. Thank you for your post with inspiring me to notice even more and enjoy the moment. In the midst of the third wave of COVID in Alberta, Canada, time has slowed down enough to view the neighborhood scenery in much detail. We take a similar walk each day and I notice much more than ever before with the landscape turning from winter brown to spring green. The grass gets greener day by day and the trees are producing buds.

  • Dwayne later reported that when he was studying the American Civil War in social studies, instead of just reading the words, he used his imagination to picture the battles and to make the people involved come alive in his mind.
  • She investigates how people understand science and mathematics concepts as they participate in project work that demands the integration of multiple content areas.
  • The students worked in groups to decide what the message would be, how to best communicate the message, what media to use, and how to evaluate whether the finished product met their expectations.
  • With everything you do and share, you put in so much care and thought and love….
  • We explore here how co-participants utilize aggregates of interactional components to construct such sequentially relevant action.

The study thus both draws on as well as adds to previous research on embodiment-in-interaction (e.g., Streeck et al., 2011, Stivers and Sidnell, 2005, Kääntä, 2010). Second, as the analysis centers on student initiated corrections in instructional interaction, the article depicts how students display what they know and how this knowing is made visible/hearable in and through interaction in front of the whole class. It focuses on students’ correction initiations that are preceded by embodied noticings – interactional events that are performed through different kinds of visibly intensified embodied and material practices. The analysis demonstrates how the embodied noticings serve as a preamble to the ensuing correction initiation and help project participant’s stance toward the noticed feature. The article also analyzes the temporal and sequential position where the correction initiations are incorporated into the sequential unfolding of the ongoing classroom activity as well as the design and function of the initiations.


The trick is not to use metaphors (it’s like …), not to use abstractions (I saw a lot of people …), and not to interpret what you see (it made me think of …). Howe thinks this exercise is hard because an object in front of us—e.g., a grey mug with peppermint tea—doesn’t feel important enough. To be a good writer, you also have to practice the art of noticing. Notice and Wonder charts are excellent tools to use when introducing the anchoring phenomenon of a new unit. It is also perfect for students to record and share their observations.


The data for this study consists of video-recordings of an EFL classroom in higher education. Using Conversation Analysis , this study shows that peers get involved in and extend student-initiated sequences to provide a response to student initiatives that receive the teacher’s display of lack of knowledge and to offer support in challenging a teacher response to student initiatives. In this way, peers contribute to resolving emergent knowledge-related troubles in teacher responses. Such peer involvement is found to create learning opportunities not only for the students but also for the teacher by changing the epistemic asymmetry and participation framework in the classroom. The analysis reflects the dynamics of classroom interaction and provides implications for our understanding of peer roles in whole-class interactions. UN military observers patrol crisis areas in small teams.

The price of a pig was twice, and that of an ox six times as great as that of a sheep. Regarding the prices of commodities other than live-stock we have little definite information, though an approximate estimate may be made of the value of arms. It is worth noticing that we often hear of payments in gold and silver vessels in place of money. Pierre looked at his friend and, noticing that he did not like the conversation, gave no reply.

Demonstrating active listenership through collaborative turn completion to display epistemic access in multi-party interactions

Definition and synonyms of noticing from the online English dictionary from Macmillan Education. Add noticing to one of your lists below, or create a new one. When you know the play, you start looking, you start noticing connections. In this case, learners will presumably need to rely on indirect negative evidence, somehow noticing the absence or relatively low frequency of ungrammatical forms. In short, and without anyone particularly noticing it, these debates have been democratized. Because of the conciseness of its original syntax, it is even possible to use it without noticing that it is a programming language.

This exercise illustrates how noticing provides the first step in a process that can ultimately lead students to deeper understanding. Because students frequently scan things superficially, I found it more effective to teach my art students to see instead of teaching them to draw. As they noticed relationships of parts to one another and parts to the whole, they discovered they could draw just about anything.

Most young children enter school bright-eyed, full of questions, eager to learn, and willing to try anything. All too soon, they learn that their imaginative ideas and questions are not valued in the classroom as much as following directions, giving the right answers, and getting good grades are. By the time they get to middle school, too many students have relegated their imagination to “fun” activities unrelated to academics.

I never thought about writing about my awareness except in my daily journal. Your post gave me some great ideas about how to take awareness to a new level as a writer. The details about paying close attention, listening and delight really speak to me. Thank you so much for suggesting it to me, as it is precisely captures the subject and content of my blog. You have more than answered my question; you have helped me make connections that I wasn’t yet able to see.

Some examples include examining the development of students’ science and mathematics content understanding as they engage in studies of motion and rate of change; sound waves and trigonometry; and the moon’s phases, the moon’s motion, and spatial geometry. Opening an interaction is a crucial step in establishing and maintaining social relationships. In this paper we describe how participants in an institutional setting, a help desk counter for exchange students at an international university, literally move into interaction. This is accomplished through a range of publicly available and sequentially organised movements in space. These steps are highly systematic and are open to participants’ ongoing negotiation of the situation at hand. Secondly, the paper describes how participants in and through their bodily movements, the use of space and the manipulation of material objects ‘embody the institution’.

But our feelings make us all human and connect us to each other. Finding the language to describe our feelings, helps us connect with each other. Slowing down to a snail’s pace also helps us notice our own feelings and emotions. And to write precisely and vividly, we need to stop and pay attention. When you learn how to observe better, you can write more vivid descriptions, communicate your ideas with flair, and engage your audience more strongly.